I–IV–V–IV: Anthem Chorus Wave
E–A–B–A works because it keeps returning to the IV chord, which feels like a lift that never fully settles. The V chord (B) adds tension, but instead of resolving right away, you fall back to A, so the energy stays high and the chorus can loop under a repeated hook. That is why this progression shows up in stadium rock, pop-rock choruses, and punk-adjacent writing where the melody needs a big platform. For guitar, power chords keep it punchy, but adding a sus4 on B for a beat gives you extra drama with minimal effort. For arranging, let the bass emphasize the jump from B down to A; that drop feels satisfying and helps the groove lock. For melody writing, treat G# as your tension note over B, then resolve to A or E over the A chord; the resolution will feel like a chantable release.
- Key
- E major
- Tempo
- 136 BPM
- Groove
- rock
Play it on guitar
Start slow, keep your right hand steady, and aim for clean changes on the downbeats. Once it’s comfortable, add a groove and increase tempo.
Capo suggestion: try capo 0 and play in E shapes for open chords.
Chords: E – A – B – A
Roman numerals & theory
Roman numerals describe the chord’s function relative to the key. This helps you transpose the “shape” to any key without memorizing new chord names.
In E major: I–IV–V–IV
Variations (keep the progression, change the feel)
- • Add 7ths for color (try maj7 on I, m7 on vi, and V7 before resolving).
- • Use a sus4 resolve on the V chord (e.g. Gsus4 → G) to create tension and release.
- • Change the rhythm instead of the chords: try anticipations (hit the next chord on the “and” of 4).
- • Arpeggiate the top notes to create a hook while the harmony stays the same.
- • Borrow a darker chord for contrast (in a major key, try iv for one bar before returning).
Related
FAQ
Select a chord below to start building your progression