I–V–IV–V: Pop Pre-Chorus Push
C–G–F–G works so well in pre-choruses because it keeps returning to the dominant. Every time you hit G again, the harmony feels like it is asking a question, so the listener expects a bigger answer in the chorus. The IV chord (F) provides a brief open window before the dominant pulls back in, which is perfect for lyric escalation and rising melodies. This progression is also friendly for rhythm guitar because you can keep a consistent strumming pattern and let the harmonic rhythm do the lifting. For melodies, aim for the note B over G to emphasize tension, then resolve to C when the chorus lands. For arrangement, add layers each time the loop repeats: start sparse, then add octave bass, harmonies, or a higher guitar part. The harmony stays simple, but the build feels intentional and exciting.
- Key
- C major
- Tempo
- 128 BPM
- Groove
- rock
Play it on guitar
Start slow, keep your right hand steady, and aim for clean changes on the downbeats. Once it’s comfortable, add a groove and increase tempo.
Capo suggestion: try capo 0 and play in C shapes for open chords.
Chords: C – G – F – G
Roman numerals & theory
Roman numerals describe the chord’s function relative to the key. This helps you transpose the “shape” to any key without memorizing new chord names.
In C major: I–V–IV–V
Variations (keep the progression, change the feel)
- • Add 7ths for color (try maj7 on I, m7 on vi, and V7 before resolving).
- • Use a sus4 resolve on the V chord (e.g. Gsus4 → G) to create tension and release.
- • Change the rhythm instead of the chords: try anticipations (hit the next chord on the “and” of 4).
- • Arpeggiate the top notes to create a hook while the harmony stays the same.
- • Borrow a darker chord for contrast (in a major key, try iv for one bar before returning).
Related
FAQ
Select a chord below to start building your progression